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Mid​-​Latitudes

by Zanja Madre

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  • Compact Disc (CD) + Digital Album

    Includes large fold out lyric sheet with full album art by printed on sugarcane paper.

    Includes unlimited streaming of Mid-Latitudes via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $3 USD  or more

     

1.
A knock comes at my door at this ungodly hour I startle from my dreams, wonder, “what could this mean?” Night birds on the porch stop their song short Sirens scream through the oak trees And water fills the town From a hill above the valley I gaze in grief Watch as my city is swept to sea Oh St. Francis reach out your hand But leave me here with no amends And water fills the town Cars hurdle and bound high ground New California dreams are drowned In the path that the water remembers I lock myself up tight Draw the curtains and turn out the light And sit with the pain in my stomach
2.
Feral 01:59
Cats fighting in the alleyway wake me from my sleep Defenders of territory, noble and mean And the moon’s floodlight from a zenith in the sky Catches for a second those marble eyes Nothing to eat Too cold to sleep Walk the whole night through Icy nose and frozen toes Show me how you Stick to the side of shadows and step so silently Across the lava fields, ancient and bleak Appear then disappear as you perk up your ears Not a living soul for miles and nothing to fear Just the fake escape of vagrancy Freedom never stays A feral wind picks up again And carries me away
3.
Miramar 03:20
See the old dog lie down on the steamy concrete A grin upon his lips beneath the solar eclipse The last living thing to walk the streets See the lone crow take flight from the telephone wire And the palm trees sway in a dusty breeze Dreams of clear blue skies, wings span wide So peel me off the road It’s time to head home For what it’s worth I have searched in the distance For something I could hold in my fists Put a penny on the tracks up in Miramar The smell of chaparral The old mission’s bell Sends a solemn note up the coast Well freeways ain’t so free The way they twist and weave But end up nowhere any different from here You’re always thinking of where you’d rather be The train’s romantic moan A passing parade of snow It’s never real as it flies past my window The cardboard cut out trees caught in the high beams They shiver and shake with no roots See the old dog lie down on the steamy concrete Blood upon his paws as twilight falls
4.
Got your daddy’s eyes and your mother’s temper Waited tables every summer Serving food that you can’t eat Everyone needs a little pity Well I know that it’s out of the question But if you want you can take a walk with me Maybe if you don’t have much to do Like a little rock stuck in my shoe With your feet on the dash and the sun on your face Couldn’t keep my eyes on the highway Like the last remains of coastal sage These kinds of things tend to fade away Well I know that it’s out of the question But if you want you can pack your bags with me Maybe if the road is good to you Like a little rock stuck in my shoe Fold up all your pain, my child Step back and stare at it for a while Take only what you need then come find me You must know where to look by now I never stray too far away From where it all fell out of place Think you might be close tonight Burning candles at the speed of light Well I know what is done is done Put away but not forgotten Because I still carry you around I still carry you around I still carry you Like a little rock stuck in my shoe
5.
Crop Circles 04:17
The lion that comes to me With the head of the past Keeps the heart of a parliament And all the things that I lack But what could I do? What could I do? Turn away Crash that single passenger plane Laugh it off Laugh until the feelings all just stop Now the fossil in permafrost A copper thief in the grass Decaying symbols of gold At the lemonade stand But what could I do? What good could I do? Sink or swim The same fate now I’m always so vacant And gone so far To not come back is easier Thoughts so cruel crop up soon Shapes and lines that show up overnight And there’s no one around to tell or even thank So I keep it all in again Until it doesn’t exist The quiet murmur of life I always heard it persists But I hear nothing now And feel nothing at all But I will wait Like a soldier before daybreak And dig and dig One day I won’t come up empty handed
6.
Dark Glasses 03:36
We get all dressed up nice and go out every night But the drink in my hand stumbles I’ve been looking for somewhere to hide All that I can’t say but finds its way out anyway Across our silent dinner tables Everything is cold and stale today With your sweatshirt hooded and those dark glasses on You keep your head down as you walk through the crowd Got to keep your distance from us humans So I ask you about your day and you answer just the same Hey that’s okay I never understood how conversation worked anyway But your eyes they betray you Just like my shaking hands And if it wasn’t for the wine You know I would have never asked you to dance With you sweatshirt hooded and those dark glasses on You keep your head down as you walk through the crowd Got to keep you distance from us humans
7.
First train out of Harlem Stomach full of bile North along the Hudson Back to the valley To wash away the sin But I know I’ll be back again Early morning blue And the riverside wind Carries up the avenue Everyone bundled in I’ve met you all before At the train station’s sliding door And I’ve seen I’ve seen the path to walk upon To walk upon But I’ve known I’ve known the past to come along To come along In your dingy little dorm room Raskolnikov would dig We drank to the impending doom Like peasants in the plague I’m sick of self-defeat But sweetie, take what you need Subway station stairs Down to the halls of hell It’s hard enough to care Let alone to help A million miles below The blackened New York snow And I’ve seen I’ve seen the path to walk upon To walk upon But I’ve known I’ve known the past to come along To come along
8.
Hummingbird 02:53
Everything is quiet and has been for a while Those cliché rainy day blues at my window As I sit like so many men who’ve come before me Watching my hummingbird go Oh how you’d hover Oh how you’d buzz And I’ll curse the day that I let you fly away And watched you rise above Well it’s all blood and guts now and I’m getting used to it Like all those movies my dad took me to before he should’ve Oh Mrs. Ostrich, Mr. Turtle teach me how to live Because I’d rather ignore than forget Oh how you’d hover Oh how you’d buzz But after a while I’d no longer smile And soon you were gone for good Never again will I hear you humming in my ear You flew away on a cold winter’s day South to some warmer place But oh how you’d hover And oh how you would buzz So I’ll plant some seeds, promise nectar so sweet But I know it’ll never be enough
9.
At the confluence of the rivers I took off my shoes and entered One deep breath and then I was gone And the scene returned to motion Like the wind across the desert Headed for the suburbs To clog our engines and break our fences Who will snap first? And curse the flying dirt The dry heat and his thirst Nose and lungs that hurt Once a year the winds reverse I walked down that familiar hill Past the weeping willow And the school yard fence with its rusted hinge In the afternoon glowed Like the stainless steel kitchen Of our San Fernando mansion Where I took your life with a butcher knife Called it a crime of passion Oh how these winds do madden Blown across the canyon To our city’s endless expansion Baby, it’s Santa Ana season
10.
The pyramid in the sun casts a long shadow on The Avenue of the Dead Our temples begin to crumble and the soil turns to dust What has happened to us? Somewhere we went wrong, stalks of corn turning brown And bending towards the ground Clouds begin to gather, the furrowed brows of our gods But rain never falls Hand in hand we pray and plant and pray again Send off each seed with a kiss and a blessing To guide and light its path through the starry aftermath The feathered serpent Will return Brown smoky sky, ash and flames rising high Last thing I see before I die First they built the fire then tied me up right there inside And danced all night All eyes now on mountain peak and breaking clouds Catch a glimpse of scales and a feathered tail Glide and then descend like a welcomed old friend Who somehow changed Now breathing fire Burn

about

Zanja Madre is the solo project of Martin Lopez-Iu. Mid-Latitudes is his debut album. Deeply rooted in places, the songs explore humans' relationship to landscape, drawing inspiration from the maddening Santa Ana winds of Southern California, the demise of the Mesoamerican Teotihaucan civilization, the breaking of the St. Francis Dam and William Mulholland's subsequent fall from grace, phantasmal Icelandic cats, bleak love in New York winters and the empty promises of West Coast highways.

Martin wrote the album over a couple years in which he relocated back to his home in Los Angeles and began to wrap his head around concepts of home and belonging, learning what it means to put down roots and truly belong to a place. 

The album was recorded intermittently over a couple more years. Beginning in an isolated ranch house in Joshua Tree, CA and continuing in various practice spaces, friends' apartments and his parent's house in Los Angeles. He enlisted the help of his friends and longtime musical partners Amanda Jones, Joshua Fu, and Lee Harcourt, who lent their immeasurable talents and guidance to the album. The album was mixed by Brandon Eggleston (The Mountain Goats, Modest Mouse, tUnE-yArDs) in Portland, OR and mastered by Ryan Morey (Arcade Fire, SUUNS) in Montreal, QC.

Fernando Garcia designed the album art. Check out his amazing work at fernandoisai.com.

The album is dedicated to Martin's parents for their unwavering love, support and wisdom. 

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released November 3, 2016

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Zanja Madre Los Angeles, California

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